In front of the Arretxinaga church there is a strange hermitage devoted to the Archangel Saint Michael. Since time immemorial the scene is represented of the angels’ rebellion and the triumph of Saint Michael, prince of the angel militias, over them. In other words the struggle between the prince of light against the prince of darkness.

Humorous ballet, in the style of mimicry, based on traditional music. A boy, a scarecrow and a blackbird appear. The boy befriends the blackbird and gives it a piece of “talo” (maize bread), but the blackbird pecks the boy’s hand, and the boy gets so angry because of the pain that he ends the poor animal’s life. 

Basque scenes based on musical themes and on Franco’s “Arrantzaleak” work, with sea-based themes like the boga boga, Kaskarotak, Kaian and Kaixarranka

During the 18^th century the Basque Country was open to all cultural influences, and the country’s dances were not scorned and were conciliated with the ballroom dances, thereby creating dances like the Contrapás and the Museta.

Traditional dance represented by the edaridun or barmaid, who pretends to be a female character: the zamaltzain, who wears a wooden frame and cloth like a horse with a tiny head which represents the man-animal; the gatusain, which wears a wooden trellis which opens in zigzag, representing the lightening which brings the rain for the crops; the txerrero to banish the bad spirits. 

Scene about local customs created by Segundo de Olaeta in the 1920s, which covers the departure of the faithful from the High Mass and the subsequent procession attended by the authorities.